Beatrice Gilray was mending a pink silk camisole. She was thirty-five, but seemed younger, or rather seemed ageless. Her skin was clear and fresh. From shallow and unwrinkled orbits the eyes looked out, shining. In a sharp, determined way her face was not unhandsome, but with something intrinsically rather comic about the shape and tilt of the nose, something slightly absurd about the bright beadiness of the eyes, the pouting mouth and round defiant chin. But one laughed with her as well as at her; for the set of her lips was humorous and the expression of her round astonished eyes was mocking and mischievously inquisitive.
She stitched away. The clock ticked. The moving instant which, according to Sir Isaac Newton, separates the infinite past from the infinite future advanced inexorably through the dimension of time. Or, if Aristotle was right, a little more of the possible was every instant made real; the present stood still and drew into itself the future, as a man might suck for ever at an unending piece of macaroni. Every now and then Beatrice actualized a potential yawn. In a basket by the fireplace a black she-cat lay on her side purring and suckling four blind and parti-coloured kittens. The walls of the room were primrose yellow. On the top shelf of the bookcase the dust was thickening on the text-books of Assyriology which she had bought when Peter Slipe was the tenant of her upper floor. A volume of Pascal’s Thoughts, with pencil annotations by Burlap, lay open on the table. The clock continued to tick.
Aldous Huxley, Point Counter Point