Spandrell uttered a brief and snorting laugh, and letting his chair fall back on to its four legs, leaned forward across the table. Pushing aside his coffee cup and his half-emptied liqueur glass, he planted his elbows on the table and his chin in his hands. His face came into the light of the rosy lamp. Like a gargoyle, Mary thought, a gargoyle in a pink boudoir. There was one on Notre Dame in just that attitude, leaning forward with his demon’s face between his claws. Only the gargoyle was a comic devil, so extravagantly diabolical that you couldn’t take his devilishness very seriously. Spandrell was a real person, not a caricature; that was why his face was so much more sinister and tragical. It was a gaunt face. Cheekbone and jaw showed in hard outline through the tight skin. The grey eyes were deeply set. In the cadaverous mask only the mouth was fleshy – a wide mouth, with lips that stood out from the skin like two thick weals.

‘When he smiles,’ Lucy Tantamount had once said of him, ‘it’s like an appendicitis operation with ironical corners.’ The red scar was sensual, but firm at the same time and determined, as was the round chin below. There were lines around the eyes and at the corners of his lips. The thick brown hair had begun to retreat from the forehead.

‘He might be fifty, to look at him,’ Mary Rampion was thinking. ‘And yet what is his age?’ She made calculations and decided that he couldn’t be more than thirty-two or thirty-three. Just the right age for settling down.