Meanwhile, hiding behind a turn in the passage, Nannie Slagg, with Titus in her arms, was being soothed by Keda as she waited for her call.

‘Now, now be quiet, Mrs Slagg, be quiet and it will be over soon,’ said Keda to the little shaking thing that was dressed up in the shiniest of dark-green satin and upon whose head the grape hat arose in magnificent misproportion to her tiny face.

‘Be quiet, indeed,’ said Nannie Slagg in a thin animated voice. ‘If you only knew what it means to be in such a position of honour – oh, my poor heart! You would not dare to try to make me quiet indeed! I have never heard such ignorance. Why is he so long? Isn’t it time for him to call me? And the precious thing so quiet and good and read to cry any minute – oh, my poor heart! Why is he so long? Brush my dress again.’

Keda, who had been commanded to bring a soft brush with her, would have been brushing Nannie’s satin dress for practically the whole morning had the old nurse had her way. She was now instructed by an irritable gesture of Mrs Slagg’s hand to brush her anew and to soothe the old woman she complied with a few strokes.

Titus watched Keda’s face with his violet eyes, his grotesque little features modified by the dull light at the corner of the passage. There was the history of man in his face. A fragment from the enormous rock of mankind. A leaf from the forest of man’s passion and man’s knowledge and man’s pain. That was the ancientness of Titus.

Nannie’s head was old with lines and sunken skin, with the red rims of her eyes and the puckers of her mouth. A vacant anatomical ancientry.

Keda’s oldness was the work of fate, alchemy. An occult agedness. A transparent darkness. A broken and mysterious grove. A tragedy, a glory, a decay.

These three sere beings at the shadowy corner waited on. Nannie was sixty-nine, Keda was twenty-two, Titus was twelve days old.

Lord Sepulchrave had cleared his throat. Then he called:

‘My son.’